Showing posts with label revision. Show all posts
Showing posts with label revision. Show all posts

Sunday, February 17, 2013

Prompt Revisions (Feb. 17)

1987. Some novels and plays seem to advocate changes in social or political attitudes or in traditions. Choose such a novel or play and note briefly the particular attitudes or traditions that the author apparently wishes to modify. Then analyze the techniques the author uses to influence the reader's or audience's views. Avoid plot summary.

In "An Inspector Calls," by J. B. Priestley, the audience is forced to reconsider the British capitalistic ideals of the time. The aristocratic family on display is slowly revealed to have, through the thoughtless, self-rewarding actions encouraged in a capitalistic society, driven a girl to her miserable death. Through the use of all three pillars of argument--pathos, ethos, and logos--embodied within the characters of the play, Priestley attempts to unveil the fallacies behind the capitalistic system and that each person's decisions ultimately affects everyone around him.

Throughout the play, Sheila Birling acts as Priestley's voice of pathos, the emotional argument. She got the girl fired because the girl's superior appearance hurt her pride. However, she feels remorseful about what she has done, vows never to treat anyone like that again, and encourages the others to do the same. Priestley uses her emotional reaction to show the emotional damage caused by the inconsiderate behavior of the Birling family. By embodying his argument in an emotional individual, he causes the audience to gain sympathy with Sheila and share in her remorse. Priestly causes his audience to recognize the emotional connection humans share and act likewise.

Eric Birling, Sheila's brother, the drunkard, is the representative for Priestley's moral argument. Eric's immoral exploits with the girl are intended to disgust the audience. The girl he knew as Daisy, though in a poor and vulnerable situation, maintained her sense of morality as depicted by her refusal to accept the stolen money. Meanwhile, Eric, born into a rich family, takes advantage of her and does the unspeakable--he impregnates and abandons her in her dismal state. The audience realizes, then, that the people in the upper class of society are not there because they are better in any way than the lower class. In fact, the upper class is often more immoral than those below them because they have more tools with which they can cause destruction and chaos. Therefore, Priestley believes they hold more responsibility and should be held responsible for their actions more so than others.

Finally, Inspector Goole is both Priestley's representative in the story and the courier of logic. He pieces together the story of the girl's death, allowing his audience, both in and out of the story, to see the effects of what the Birlings had done. Though he may not have convinced everyone, each of the Birlings' interactions with the supposed girl was true on its own and illustrate his meaning. He brings everyone to the final point Priestley wishes to make: that everyone lives in this world together, and how we act changes the lives around us as well.

J. B. Priestley was a major advocate for socialism and his play, "An Inspector Calls," was designed to illustrate the dangers of a highly capitalistic society. Through the characters of the play, he uses all three pillars of argument to push the audience to the understanding that every decision should be made carefully because somehow, somewhere, each action we make will affect someone, and whether it is in a positive or negative way is up to us to decide.

Sunday, January 20, 2013

Prompt Revision (Jan. 20)

2010, Form B. “You can leave home all you want, but home will never leave you.” —Sonsyrea Tate
Sonsyrea Tate’s statement suggests that “home” may be conceived of as a dwelling, a place, or a state of mind. It may have positive or negative associations, but in either case, it may have a considerable influence on an individual. Choose a novel or play in which a central character leaves home yet finds that home remains significant. Write a well-developed essay in which you analyze the importance of “home” to this character and the reasons for its continuing influence. Explain how the character’s idea of home illuminates the larger meaning of the work. Do not merely summarize the plot.
For a small individual, home often means security, comfort, and predictability. Without these, he feels out of place, exposed to the dangers of the outside world. No doubt, this was how Bilbo Baggins felt as he was carried away from home to begin Tolkein's novel, The Hobbit. Not even a day's journey from his house, he already began wishing for his handkerchief. Utilizing Bilbo's original fear of leaving his "comfort zone," Tolkein emphasizes his message for us that, insignificant as we may appear, each of us has the capacity to use the skills learned inside our own fields to greatly affect the world beyond.
To start the novel, Tolkein immediately describes Bilbo's character, explaining that he comes from a land where the inhabitants ostracize, and even despise, adventurous people. He likes to think of himself as a typical hobbit, practical, so as to avoid unexpected hazards. This serves him well and makes him a valuable asset on the journey, as he is able to arrive at the simplest, most effective solutions to the problems at hand. Hundreds of miles from his own home, Bilbo is still solving problems as if he were in his own home in the Shire.
An inhabitant of a peaceful area, Bilbo bears no grudges or ill-will against anyone the way the dwarves did against the elves and men. As the neutral party in the conflict, Bilbo becomes the perfect mediator between the dwarves and the men and elves. Perhaps he was not received too well for his actions, but his peaceful background gave him the sense not to push for war like the others. He saw past the past grievances and looked to form a compromise that would be beneficial to both camps.
A character's home is often the best place to explore in order to understand his comfort zones and deepest of character qualities. Bilbo was a hobbit of comfort and peace. He ordered his home to be as practical as possible not only for his own needs, but also for guests. Leaving his home may have meant leaving his comfort zone, but true to Sonsyrea Tate's words, home, his most cherished values, never left him.